The Mount Rushmore of classical music?
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David YangIf I could carve my own personal Mt. Rushmore of music, who would I choose to deface the side of a beautiful mountain?
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“The love of men is my chief joy”
There were a few weeks in mid-July when NCMF Composer-in-Residence Jon Deak emailed me a new page of the manuscript every day; it was as if I were witnessing the birth of the new composition in real time, not unlike a musical version of watching Harry Potter step out from behind the Cloak of Invisibility. The manuscript I’m referring to is, of course, the score for the piece this summer, “The Jury,” composed by Deak and based on the eponymous poem by Rhina P. Espaillat.
While I look forward to the world premiere every year, this time might be the most excited I’ve ever been. “The Jury” promises to be everything I’ve come to expect from the Pulitzer-nominated composer – wry, arch, immensely entertaining, and with a sting in the tail. Jon’s work blurs the line between music and theater: he has the musicians scratching their strings, knocking on wood, cooing, clucking, and a bunch of other nutty stuff, some of which, to be honest, I have no clue how to do. And all this while the soprano prowls around the stage behind the string players speaking, singing, reciting, gasping, and moaning. I’ve got no idea what is going to happen in the concert but that’s part of the thrill.
I’ll be arriving in Newburyport this weekend to prep for the festival. Let the games begin!
David Yang, Artistic Director
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David YangIf I could carve my own personal Mt. Rushmore of music, who would I choose to deface the side of a beautiful mountain?
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Alessandra YangThis summer, I attended the Taos School of Music, a chamber music program in the mountains of New Mexico.
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David YangThinking about concerts – not ones I’ve played, but ones I have attended. Here are the top five that jumped out at me, in no particular order.
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