Debussy Quartet Digital Open Rehearsal
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Alessandra YangThis summer, I attended the Taos School of Music, a chamber music program in the mountains of New Mexico.
Tickets for the 2021 NCMF Winter Baroque concert have gone live and, as promised, the concert will be a doozy. Nurit will be back, as will Eliana, and they’ll be joined by soprano/composer/performance artist Susan Botti for a mixed program that begins in a very different place from where it ends. Due to COVID restrictions we can only fit 90 people in St. Paul’s so act quickly if you want to get in the door!
The program starts in the High Baroque with Handel arias from “Messiah” and “Theodora,” Purcell’s “If Music be the Food of Love” and bits of a Bach cantata thrown in. We then jump forward in time with Susan Botti’s “When Dido Refuses to Speak,” an allusion backward to Purcell’s tragic early opera “Dido and Aeneas.” This is followed by “Dido’s Lament” from Purcell’s original opera, one of the most sublime (and tragic) arias written in any period.
Of course, we don’t want to dwell on sad music over the holidays and the program pivots quickly to 20th century America with Irving Berlin’s “Count your Blessings” and Fats Waller’s joyful “Jitterbug Waltz.” Lastly, we’ll then send you out the door with none other than Berlin’s “White Christmas” in an arrangement by Susan for soprano, violin, and cello.
It has been tremendous fun assembling this out-there holiday program and I realize I’m walking a fine line without crossing into kitsch. A lot has changed since 1689 and the premiere of “Dido and Aeneas” but who can resist a good croon once the leaves drop and the flurries start to fall?
David Yang, Artistic Director
H. Purcell
If Music be the Food of Love
Dido's Lament (from Dido and Aeneas)
G.F. Handel
Oh! That I on wings could rise (from Theodora)
Oh Sleep, Why Dost Thou Leave Me? (from Semele)
Pastorale Symphony (from Messiah)
I Know That My Redeemer Livest (from Messiah)
How Beautiful are the Feet (from Messiah)
J.S. Bach
Come into my Heart’s House (from Cantata 147)
Sheep may Safely Graze (from Cantata 208)
Presto from Sonata No. 1 in G Minor for solo violin
S. Botti
Words 2 & 3 (from Dido Refuses to Speak)
Her Vision
Fats Waller
Jitterbug Waltz
Irving Berlin
Count your Blessings
White Christmas
By
Alessandra YangThis summer, I attended the Taos School of Music, a chamber music program in the mountains of New Mexico.
By
David YangThinking about concerts – not ones I’ve played, but ones I have attended. Here are the top five that jumped out at me, in no particular order.
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David YangWe’re somewhere around the mid-point of the festival which began with a talk last Monday on Kurtág and ends with our final concert this Sunday.
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