Debussy Quartet Digital Open Rehearsal
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Alessandra YangThis summer, I attended the Taos School of Music, a chamber music program in the mountains of New Mexico.
Putting a festival together requires a lot of elbow grease from many individuals and the center of the entire operation is the board of directors. I’m delighted to announce we have a new board member, Maryellen Moreland. The Morelands are a force of nature in the cultural scene of Newburyport and also friends I’ve known for years. Daughter Anna, now working in Rotterdam, volunteered for NCMF back when Jane Niebling and I were running the festival; son Andrew has assisted as general factotum for years, padre John is our Treasurer (yes, he kind of holds the festival together), and now we have matriarch Maryellen officially on the board. As she said: “I guess you could say NCMF is a family affair.”
Maryellen has a long background in choral singing and is also active on the board of our friends in the Newburyport Choral Society. In her professional life, she is Special Education Team Chair at Pine Grove over in Rowley. When I asked for her favorite musical experience she didn’t hesitate:
My first experience performing with a large SATB choir and full professional orchestra was singing Mozart's Requiem in college, and it blew me away. The Lacrymosa in particular (the first eight measures of which are supposedly the last thing Mozart ever wrote) is stunningly beautiful. I have since performed it several times and got to hear Andrew perform it in Symphony Hall with the Handel and Haydn Society under Harry Christophers, in a thrilling rendition.
The scene of Mozart’s burial in an unmarked grave at the end of Amadeus, Miloš Forman’s masterpiece, uses the Lacrymosa to devastating effect.
Welcome, Maryellen. We’re lucky to have you!
David Yang, Artistic Director
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Alessandra YangThis summer, I attended the Taos School of Music, a chamber music program in the mountains of New Mexico.
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David YangThinking about concerts – not ones I’ve played, but ones I have attended. Here are the top five that jumped out at me, in no particular order.
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David YangWe’re somewhere around the mid-point of the festival which began with a talk last Monday on Kurtág and ends with our final concert this Sunday.
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