A Conversation with Ania Vu
David talks with composer Ania Vu about her new work written for the NCMF Winter Baroque concert.
On selected nights of the festival, I’ve asked past artists to choose a surprise Youtube performance as a treat for our audience.
Each selection will be preceded by a short introduction with the artist.
Indrajit Roy-Chowdhury is one of the most talented young exponents of Rampur Senia Gharana in the venerated lineage of, Pandit Birendra Kishore Roy Chowdhury and Pandit Subroto Roy Chowdhury. Primarily trained in the Veen-Kar style of Sitar which draws techniques and idioms of the Veena, Indrajit has been able to carve a niche for himself with his eclecticism and versatility. Indrajit strives for a fine balance of traditionalism coupled with innovation and is renowned for his meditative alaap and brilliant taans.
Indrajit is based out of New York and maintains a rigorous tour schedule across the continents. As an international artist, Indrajit has performed in a range of distinguished venues, notably: Dover Lane Music Conference, Kolkata, Kennedy Center for the Performing Arts, Washington DC, The Lincoln Center, New York, The Hammerstein Theater of New York, Toronto National Convention Center, Berlin Indian Embassy, Concordia Arts Poznan, Poland, Chayanaut Auditorium, Dhaka and Ramakrishna Mission Cultural Centre, Kolkata.
Brought up between the USA and India, Indrajit has a rich diversified background to draw from which is clearly observed in his collaborations and own compositions. As a versatile and creative musician, he has performed with distinguished artists from other genres including the acclaimed Jazz artist, Wynton Marsalis. Indrajit has also collaborated with the Orchestra- Jazz at Lincoln Center and the same was featured in the film “Song of Lahore” which was premiered in Tribeca Film Festival.
David Yang, Artistic Director