The Great Telemann Forgery
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David YangI guess Telemann saw imitation as the sincerest form of flattery
We need beauty in our lives, now more than ever.
Here are three gifts.
First: any time with Rhina P. Espaillat, in person or on the page, is precious to me.
Second: a link to a concerto grosso by Handel which we’ll be playing on Winter Baroque. This feels right.
The last is a landscape by the 19th Century German painter, Caspar David Friedrich: mysterious, yet also private - and safe.
David Yang, Artistic Director
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David YangI guess Telemann saw imitation as the sincerest form of flattery
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David YangI’d never urge someone to go into music. But it also isn’t my place to say don’t go into music
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David YangBeat photographer Matt Muise was there to document the process this summer. He took so many great photos, here is Part II.
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