Evren's recital
By
David YangAn ancient cathedral emerging from the waves accompanied by the ghostly sound of church bells, chant, even an organ.
The feedback from NCMF Winter Baroque has been rolling in and is overwhelmingly positive. What a concert it was! At one point it looked like smoke was coming out of Aldo’s recorder.
Sarah, on violin, was a kind of live coal of musical energy in the center of the group.
John, on harpsichord, was a wonderful grounding presence and all-around mensch.
Finally, Eliana held the hall under her spell for twenty-five minutes with a big Bach suite.
It is something for these pros to come together and assemble a terrific concert on a few hours of rehearsal. We train for it, but it still feels like a kind of rare alchemy to pull this off. Watching from outside it seems like a bit of a miracle. (This is a shameless plug for attending the open rehearsals during the summer festival.)
There wasn’t an empty pew and I saw only smiles as people filtered out. Thank you for making last year happen.
David Yang, Artistic Director
By
David YangAn ancient cathedral emerging from the waves accompanied by the ghostly sound of church bells, chant, even an organ.
By
David YangWe were one of the last commands to go when President de Gaulle requested the evacuation of American troops.
By
David YangAt the heart of the preludes is one of Debussy’s most popular and enduring works, “The Girl with the Flaxen Hair.”
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