Reflections on NCMF Summer 2019
REFLECTIONS ON NCMF SUMMER 2019: A Visual Portrait
In preparation for our March 30th solo piano recital with Michael Brown (Avery Fisher Career Grant, Chamber Music Society of Lincoln Center, Marlboro Festival), I asked Michael to share some of his favorite performances by other artists of works on the program. Tradition plays a significant role in classical music, either in its observance - or deliberate disregard. As performers, there is often a direct link through teachers and colleagues back to composers such as Brahms, Bartok, Liszt, even Beethoven. And as with food, there are national styles that determine one’s approach to making music. Seeing Michael’s recommendations gives us an insight into what drives his own search for expression. See below for links to Michael's recommended performances.
Make no mistake – this concert will be completely sold out so order your tickets today. The performance will feature a pre-concert interview with the artist. Concert details can be found by clicking on the Events tab at the top of this screen.
For anyone interested in more on Michael Brown, here is his website:michaelbrownmusic.com
David Yang, Artistic Director
Frederic Chopin: Barcarolle in F-sharp Major, Op. 60
Michael’s recommendation (Nelson Freire, piano): https://www.youtube.com/watch?v=uqLmF_702mE
Michael Brown: Mini Barcarolle
This is Michael’s own work so we’ll have to wait to hear him play it live
Ludwig van Beethoven: Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", Op. 27, No. 2 “Moonlight"
Michael’s recommendation (Wilhelm Kempff, piano):
Movement 1: https://www.youtube.com/watch?v=O6txOvK-mAk
Movement 3: https://www.youtube.com/watch?v=352qLWqKN-U
Béla Bartók: "Out of Doors” Suite
Michael’s recommendation (Jerome Lowenthal, piano):
With Drums and Pipes: https://www.youtube.com/watch?v=5G06g65yyXA
Night’s Music: https://www.youtube.com/watch?v=rsx-8Z4JWXU
The Chase: https://www.youtube.com/watch?v=zK8hlot4tlQ
Liszt: Legend No. 2, St. Francis of Paola Walking on the Waves
Michael’s recommendation (Alfred Brendal, piano): https://www.youtube.com/watch?v=_GcDsqkOcjI
Playing baroque music is a kind of going back to the basic ingredients of our art form. The groundwork for rampant chromaticism and atonality, tone poems, symphonies of a thousand, even epic operatic cycles, was laid down well over three hundred years ago. The Baroque era is when classical music coalesced into the art form we recognize today. And the music of the baroque is as sophisticated and profound as anything that followed.