Musings

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Notes from David Yang

Fundraising for NCMF by cycling from Philly to Newburyport

I've done some pretty crazy stuff for NCMF but this might be the wackiest.

Notes from David Yang

A New Board Member

We were one of the last commands to go when President de Gaulle requested the evacuation of American troops.

Notes from David Yang

Evren's recital

An ancient cathedral emerging from the waves accompanied by the ghostly sound of church bells, chant, even an organ.

Notes from David Yang

Some dirt on Debussy

At the heart of the preludes is one of Debussy’s most popular and enduring works, “The Girl with the Flaxen Hair.”

Notes from David Yang

Party music by Robert Schumann

To enter the world of Carnaval is to enter the complex world of Robert Schumann’s psyche.

Notes from David Yang

What should you drink at a piano recital?

We were discussing Evren’s upcoming recital and he wound up pairing each piece with an appropriate libation.

Notes from David Yang

March piano recital: a musical itinerary

Listening to this program is to be an intrepid explorer of feelings in music.

Notes from David Yang

NCMF Twenty-Five Years - The Pitch

I asked Michael if he knew someone local I could talk to about starting my one in town. That’s how I wound up on the phone with Jane. 

Notes from David Yang

NCMF Winter Baroque this weekend and a baroque world premiere

The winter holidays – Christmas decorations, holiday parties, takeout Chinese food, and a baroque world premiere in Newburyport.

Notes from David Yang

Nicola Canzano, composer and potato chip aficionado

The best ones are from oil country Pennsylvania where they still fry them in beef tallow.

Notes from David Yang

NCMF Winter Baroque: What makes a Baroque concert “authentic?"

No, this does not mean the musicians will be dressed in 18th century costumes.

Notes from David Yang

Heinrich Biber, workplace ethics, and the Age of Enlightenment

Have you ever done something that screwed over your boss but was to your benefit?

Notes from David Yang

Alessandra in Geneva, Part II

I once heard that the reason god destroyed the Tower of Babel was because he understood that working towards a goal is what makes us human.

Notes from David Yang

Introducing violinist Amelia Sie

Nowadays, I fantasize about going into marine biology, for the sole reason that I want to play with the otters at the Monterey Bay Aquarium.

Notes from David Yang

Alessandra in Geneva

It isn’t every day you can watch someone you know in the last rounds of a major international competition.

Notes from David Yang

What does the word "baroque" mean, anyway?

Like a food you found gross as a kid but now eat with gusto, sometimes one can still “get” why some music seemed radical in its day, even as it has now become mainstream

Notes from David Yang

A 2025 summer gallery

Before we look ahead, let's take a look back at last summer with clarinet quintets and new works with jazz soprano

Playlist from lecture "Dreams and Prayers: Golijov's Millenia-Spanning Quintet"

Playlist from lecture "Dreams and Prayers: Golijov's Millenia-Spanning Quintet"

Notes from David Yang

All in the family

I have fresh parts in front of me of the commissioned work "Beat Chick: Tunes for Hettie Jones" for string quartet, jazz vocalist, and digital beats.

Notes from David Yang

Isaac the Blind

The last time we did clarinet quintets there wasn’t time to also prepare the Golijov; this summer we get to do it twice.

Notes from David Yang

Do Feed the Animals

Musicians spend a lot of time on the road burning calories while sawing away on our instruments. After rehearsal we always want to eat…but what?

Notes from David Yang

Artist-in-Residence Jane Niebling

Jane's paintings and drawings show a hand that is uniquely her own

Notes from David Yang

Like daughter, like father

A classically-trained soprano who can also mix it up with the best in jazz and R&B? A potent combination, indeed.

Notes from David Yang

A new board member

As a kid, I resisted practicing and struggled with proper technique.

Notes from David Yang

Connesson looks back

"So I wrote it in one morning, I think, really in a rush, as a little encore so the two musicians could play something together. "

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